A Summer Look

 

An Edwardian hall chair against newly curtainless windows

One of the things I like to do each year is to change the interiors we live in. This happens best in summer. The weather is warmer, lighter – behaviour becomes more casual.

So this summer we changed the look of the Studio.

Normally this is quite a heavily decorated room. Its main colours are the scarlet of the carpet and the enormous red drapes. But over the past few years our cats have made emergency stops at the curtains. A tip here is baking soda, which absorbs at least some of the horrible smell – cat piss being probably unique in the annals of retentive stinks.

Now we have three new kittens. One immediately recognized the curtains as an impromptu toilet stop. So, to use a good old-fashioned metaphor, … it seemed a good idea to kill two birds with one stone.

Art Nouveau carpet - with additional pest

We got the ladder out and took down the red curtains. I’ll hand wash them in cold water over the summer. They’re Indian cotton and as the woman in Spotlight, (a fabric chain), told me: they’re not colourfast. Already over three summers the red has faded in the folds. But I don’t mind this.

Normally the curtains sheild the room and cast it into a kind of pleasurable gloom.

There is a studio skylight in the roof, which lights the whole room up at certain times of the day, so light isn’t a problem.

So we took down the curtains for summer. This immediately gave the room a kind of naked look.

In addition we took out the mahogany dining table and replaced it with a Kauri kitchen table of quite some presence. I had bought this in an auction, falling in love with its legs. (Leg-love.) They are deep black and chunky looking. We also took away most of the red upholstered furniture which was going into another room anyway.

We replaced it with a yellow couch, made of native timber but also painted black. (The black looks sort of congealed, you can just see some hints of the original wood in it.) It’s a colonial piece. Out in the shed we had a huge mock Oriental carpet. We’d bought this when a vast antique store closed down, following the death of the owner. His son came to town and did a very clever thing. He did an auction ‘without reserves’. People went mad and paid prices way over what the articles had been priced at retail, when they sat in the shop unloved.

We didn’t buy a thing.

The following week they sold off ‘the rubbish’. This included three vast shabby old carpet squares which had been used to soften the concrete floors. All were Edwardian. I bought all three at about $70 each. The one we brought into use was a kind of mauve-pink Persian-style carpet.

So suddenly the whole room had changed. It became a room with yellow upholstery, black wood, bare wood, and this vast strangely coloured carpet. No drapes on the side windows.

It feels quite different. Lighter.

The room is consciously theatrical.

I guess you could say we like decor.

PW


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The Romanovs and Me

lot 5 - alabaster lion

One of my favorite places in Napier, where we live, is the local auction house – Maidens & Foster. It is, I suppose, a lot like the country auction houses that still survive in Britain – deliverers of treasure into the hands of canny dealer/collectors and through them suppliers to the larger auction houses in London. However in New Zealand small provincial auction houses are fast disappearing.

Maidens & Foster (called M&F) have a weekly clearance sale (called junk sales) from which many an obscure decor item have emerged. Then every six weeks they have an antique sale. These are fast turn around decor events – with only two days viewing before a Thursday night sale – so decisions (and any required research) need to be made quickly.

One of the first lots in the sale was an impressive alabaster lion of some size, who through his early life had amazingly escaped having his tail snapped off. He attracted my attention from the first viewing. Unfortunately, so did the chest of drawers on which he was standing. This made the whole financial picture (the auction being only a few days before Christmas) way more complicated.

The chest was one of five pieces of furniture i.e. a Victorian bedroom suite. Then to make matters worse, the bedroom suite, that had initially attracted my attention with its burl walnut front and ebony banding, revealed itself, via a discreet impressed stamp, to be the work of Maple & Co, of Tottenham Court Road, London (and Rue Boudreaux, Paris). Maple were prestige furniture makers – suppliers to Tsar Nicholas’ Winter Palace, and the Habsburg’s Imperial Palace in Vienna. Pretty much from then on the furniture started messing with my subconscious mind and charming its way into the house.

Accommodating a new lion was not going to be an issue and once acquired (against moderate bidding) and given a quick dust (revealing beautiful modeling) – he found a place on the library mantelpiece framed by two Sheffield plate candlesticks where he looks utterly splendid.

N Torini, Lion: installed on the library mantlepiece.

Finding a home for an entire bedroom suite of furniture, however, was a completely different challenge. Of course Option one – was NOT TO BUY IT! I moved on from that possibility quickly and acquired Lot 6: the suite (on reserve with no other bidder in play) – immediately after Lot 5: the lion (behavior of this sort bring you lots of bemused looks at M&F, as if you’ve lost your mind and  intend to buy every lot in numerical order)

In the end I managed the arrival of the Maple suite quite efficiently – the M&F van taking away a wardrobe, chest of drawers, desk and a table or two – while delivering a far better wardrobe, chest of drawers, dressing table, washstand, and bedside table to take up the vacant positions.

My study now has a more coordinated look than I intended (I was going for attic bedroom Castle Howard aka Brideshead) but having had a good polish, the Maple pieces are settling in well. The little washstand with its aesthetic period tiled upstand and black marble top is fast becoming a favorite. Yes new curtains with sun block properties will be required to prevent fading but that’s all part of the fun.

Maple & Co washstand, installed in study, albeit in front of the fireplace.

One last irony – although I confess to ultimately falling for the furniture on the basis of its maker’s stamp. It wasn’t until the lion had been on the mantelpiece for a fortnight that I noticed a signature – N Torini [sp?] . There’s clearly a little research to be done but in the meantime Mr Torini’s  lion occupies a commanding position – as befits such an imperial lion.

DLJ

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